[Q255.Ebook] Download Design for Preaching, by Henry Grady Davis

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Design for Preaching, by Henry Grady Davis

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• Sales Rank: #889611 in Books
• Published on: 1958-01-05
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .73" w x 5.50" l, .92 pounds
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780800636340
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

0 of 0 people found the following review helpful.
... to get this book for a class my pastor recommended.. You have to read this and take ...
By Teresa R
I had to get this book for a class my pastor recommended.. You have to read this and take your time.
Very informative, yes dated, but a good source for beginner/preachers/ministers.

11 of 11 people found the following review helpful.
Wisdom for Preaching
By Brett Roscoe
Welcome to the Wittgenstein of homiletics: H. Grady Davis. Many books on preaching provide only rules for fitting together the various pieces of preaching. Instead of this, Davis shows us the picture on the front of the puzzle box so that we can see what real preaching is. Davis is not concerned with specific rules for preaching, but rather with developing the preachers sense of form. His central idea is that substance and form are inseperable. An idea, he writes, is like a tree with branches reaching up towards the light. Davis walks the reader through finding ideas (trunks) to discovering how they develop (branches). I would recommend this book to anyone who feels the burden to preach the Word.

6 of 6 people found the following review helpful.
A Must Read for all Preachers
By Paul Taylor
Even though this book was written in 1958, it is one of the best books on preaching ever written. It is both a systematic and philosophical approach to the design of biblical expository preaching. H. Grady Davis does a masterful job of exposing the faults of modern preaching while at the same time expounding on the necessity of solid expository design and formation of biblical sermons. I have not read any book since that has improved on Davis' work. His approach is for the evangelical preacher who wants to communicate God's Word as God's Word. This book is invaulable for the seminary student as well as the experienced preacher. Reading and applying this book to your own personal study habits will benefit the reader greatly. Read this book, you will not be disappointed.

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[O512.Ebook] Fee Download The Norton Anthology of Short FictionFrom W. W. Norton & Company

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The classroom standard for readers and aspiring writers of fiction, The Norton Anthology of Short Fiction offers the most comprehensive, engaging selection of classic and contemporary stories in the field.

• Sales Rank: #23993 in Books
• Published on: 2006-01-05
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.80" w x 5.90" l, 2.94 pounds
• Binding: Paperback
• 1776 pages

About the Author
Richard Bausch is the author of twelve novels, including In the Night Season, Hello to the Cannibals, and Before, During, After. He has also written eight collections of short stories, among them a Modern Library edition of selected stories, The Stories of Richard Bausch, and most recently, Something is Out There. In 2012, he won the prestigious Rea Award for the Short Story. Bausch teaches creative writing at Chapman University.

R. V. Cassill the original editor of The Norton Anthology of Short Fiction, taught creative writing at the Iowa Writer’s Workshop and at Brown, Purdue, Columbia, and Harvard. He was the author of more than thirty books of fiction, including the novels Clem Anderson, Dr. Cobb’s Game, and After Goliath. Cassil’s Collected Stories was published in 1989. He died in Rhode Island in 2002.

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32 of 33 people found the following review helpful.
Terrific Anthology
By Hapworth
Too often, fiction anthologies look exactly the same because they rely on the same old stories: Joyce's "Araby," John Updike's "A&P," Faulkner's "A Rose for Emily." And even when these conservative, non-risk-taking anthologies try and embrace more contemporary voices, again, the choices tend to be the same: Raymond Carver's "Cathedral," Alice Walker's "Everyday Use," Jamaica Kincaid's "Girl." Don't misunderstand me, many of these often-anthologized stories are terrific, but as an English Instructor, I grow frustrated with anthology after anthology that fails to stand out.

Even though Norton is a giant in the field of literary anthologies, I was pleasantly surprised to see that the content of the Norton Anthology of Short Fiction was a terrific mix of old and new. Better still, editors Richard Bausch and R.V. Cassill often choose fresh stories that haven't been anthologized to death. Thus, instead of publishing Margaret Atwood's terrific (but too-anthologized) "Rape Fantasies," they instead include "Death by Landscape." Instead of Bernard Malamud's "The Magic Barrel," they include "Angel Levine." And although the classic heavies are well-represented (Faulkner, Hemingway, Gilman, Chopin, Poe, Chekhov), there's a healthy (and I mean HEALTHY) dose of fantastic contemporary writers: Stuart Dybek, Barry Hannah, Amny Hempel, Louise Erdrich, Bharati Mukherjee, and on, and on, and on. And unlike other weak anthologies that I've seen, where the editors try to fold in contemporary voices but pick weaker stories by those voices, Bausch and Cassill have carefully selected fine, fine contemporary works. The instructor, student, or general reader who chooses to slowly make his/her way through the stories in this collection will be rewarded with a nuanced, broad vision of fiction's landscape.

26 of 27 people found the following review helpful.
A writer's anthology
By William C.
Writers, especially beginning writers, interested in short stories should take a good glance at this anthology. The book draws from a wide selection of international literature leaning towards the contemporary (stories written within the last 20 - 30 years) rather than the modern or classics of the short story genre. The beginning briefly covers some common ideas about action, plot, complication, point of view, indirection, the part and the whole and coherence followed up by questions suitable for classroom discussions. The bulk of the book comes from stories chosen by the editors who wish to believe that even if you bother to read every selection in the book, you as a reader may finish reading the book but the book, the stories themselves may not be finished with you, their ideas staying with you long after the book has been sold back to a college usedbook store or disposed of in some other way. Finally, the last hundred pages deal with writing literature criticism as well as the act of writing itself in short, brief excerpts written by several of the writers who are included in the collection. Although it is on the pricey side, it is a good reference for those interested in short story writing. Another anthology to consider is The Art of the Story edited by Daniel Halpern which is much less expensive and more contemporary than the Norton Anthology.

29 of 33 people found the following review helpful.
Great
By Michael Salingio
The short stories in this collection are excellent. However, I wish that at the end of each story, there would be 2-3 questions to help guide the reader's analysis. Some of the stories are really out there and I sometimes found myself puzzled upon completing a story. Some of the stories have an accompaning essay which analizes the work. However, these essays are scarce. Even worse, the essays are attached to short stories that are well-known such as the "Heart of Darkness" by Joseph Conrad. There is plenty written about these famous stories that can be found on the internet. The less famous stories, which don't have accompaning essays, have almost no criticism written about them. A couple "guide questions" at the end of the story would not have added much to the length of the anthology. Of course, if you are using this collection in a college course, you don't need analysis included in the collection because your teacher or class discussion can help clarify the story.
Another problem I have with the collection is that the date the story was written are not included with the story. The dates the stories were written are contained in a separate section of the book. Thus, it is annoying to flip to this section and then to flip back to the story itself.
At the beginning of each story, the editors of the collection have included a short synopsis about the author's life and writing career. This adds much to the collection. The editors also include helful footnotes that explain era-specific words and phrases. The anthology also contains useful essays regarding writing about short fiction.
Overall, this book is wonderful. Hopefully in future editions, my concerns can be addressed.

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[A838.Ebook] Download The Gulps, by Rosemary Wells

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The Gulps, by Rosemary Wells

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With their trademark wit and wisdom, Rosemary Wells and Marc Brown present a groundbreaking?and side-splittingly slapstick!?story which introduces the importance of healthy habits. When a fast-food fanatic family of bunnies set out vacation, they pack their RV full of TVs, Jiffy Chips, and Winky Twinks. But when the weighed-down vehicle wheezes to a halt in the middle of nowhere, Farmer Spratt saves the day by showing the Gulps the value of a fresh, home-cooked meal and the lasting benefits of physical activity. The Gulps' transformation is sure to inspire a generation of super-sized kids?and parents?to turn over a new leaf!

• Sales Rank: #1018483 in Books
• Published on: 2007-04-01
• Original language: English
• Number of items: 1
• Dimensions: 12.13" h x .38" w x 9.38" l, 1.11 pounds
• Binding: Hardcover
• 40 pages

From School Library Journal
PreSchool-Grade 2—A paean to healthful eating and physical fitness. Sadly, too many youngsters resemble the overweight Gulps, who are undeniably human, despite Brown's signature bunny ears. The family is headed for a theme park in their RV filled with televisions and junk food. When the vehicle breaks down, the youngest child recognizes that it is overloaded. The only trim person in the family, Dawn enjoys vegetables and is in heaven when a neighborly man, Farmer Spratt, invites them into his home. However, the others are miserable; their bodies prevent them from doing even the simplest tasks. While these couch potatoes welcome an outing to a county fair with deep-fried treats, the reality of their physical condition hits home. A dance platform and a wagon collapse under their weight, and the waterslide must close after they get stuck. Redemption for the Gulps comes in the form of exercise and sensible eating with vacation plans switched to a hike up "Mount Dauntless." Brown's busily patterned cartoons in confectionery colors with cotton-candy clouds humorously depict the rotund characters in this tongue-in-cheek tale. For group sharing where obvious parallels could prove hurtful to an overweight child, consider Bernard Waber's equally humorous and more subtle Fast Food! Gulp! Gulp! (Houghton, 2001).—Gloria Koster, West School, New Canaan, CT
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The Gulp family's Dizzyworld vacation takes a detour when their overburdened RV stops and won't budge. The supersized junk-food junkies--Papa, Mama, Brother, and Sister--are baffled, though slim little sister Dawn, who prefers salads to shakes, declares, "This family's too fat to roll!" Only Dawn appreciates the salad supper offered by kindly Farmer Spratt, but after getting stuck on the county-fair waterslide and experiencing a few similar difficulties, the Gulps realize that they have to get fit to get rolling again. The characters are rabbits humorously outfitted like humans, and the scenes are stuffed with playful details to catch the eye. Wells' message, though couched in silliness and humor, is still obvious; the story may even make some kids feel self-conscious. But in the end, there's no teasing going on; the focus is squarely on the limitations overweight people may experience and the benefits of nutritional eating and activity. A cautionary yet supportive book that highlights an important issue. Shelle Rosenfeld
Copyright � American Library Association. All rights reserved

About the Author
Rosemary Wells's career as an author and illustrator spans more than 30 years and 60 books. She is the creator of such unforgettable characters as Ruby and Max, Noisy Nora, and Yoko. She has also given Mother Goose new life in the bestselling My Very First Mother Goose. She lives in Greenwich, CT.

Marc Brown is the creator of the hugely popular Arthur Adventure series. He is also the executive creative producer of the Emmy Award-winning PBS television series Arthur. He lives in Tisbury, Massachusetts, on Martha's Vineyard.

Most helpful customer reviews

1 of 1 people found the following review helpful.
My kids love this book
By Tara
My kids love this book! I bought it years ago, and we completely wore it out. So we had to buy it again here. It teaches the reasons it is beneficial to have a healthy lifestyle in a fun and kid friendly way. They think it is funny, and they seem to be more motivated to stay away from the junk food when we read it which is beneficial. I love the illustrations and the way it is written as well. Mark brown is the illustrator, you can see the similarities to his Arthur books.

0 of 0 people found the following review helpful.
Great Book.
By Candace Ramsahoi
OMG I love this book! I've purchased this book numerous times and given it as a gift and it's always a bit hit! This is about a overweight family that finally changes their eating habits and loses weight. It's so cute and funny!

1 of 2 people found the following review helpful.
They love it and I always get requests to read it ...
By Marcia Stein
I teach health and nutrition to children from Pre K to 5th grade. This is one of the only books I have found that teaches kids the importance of eating well and exercising! They love it and I always get requests to read it again and again! Very cleverly written.

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[K350.Ebook] Free PDF The New Media Monopoly: A Completely Revised and Updated Edition With Seven New Chapters, by Ben H. Bagdikian

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When the first edition of The Media Monopoly was published in 1983, critics called Ben Bagdikian's warnings about the chilling effects of corporate ownership and mass advertising on the nation's news "alarmist." Since then, the number of corporations controlling most of America's daily newspapers, magazines, radio and television stations, book publishers, and movie companies has dwindled from fifty to ten to five.

The most respected critique of modern mass media ever issued is now published in a completely updated and revised twentieth anniversary edition.

'Ben Bagdikian has written the first great media book of the twenty-first century. The New Media Monopoly will provide a roadmap to understanding how we got here and where we need to go to make matters better.'
-Robert McChesney, author of Rich Media, Poor Democracy

• Sales Rank: #356189 in Books
• Published on: 2004-05-15
• Released on: 2004-05-15
• Original language: English
• Number of items: 1
• Dimensions: 8.52" h x .94" w x 5.51" l, .90 pounds
• Binding: Paperback
• 299 pages

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76 of 83 people found the following review helpful.
Critical but Uneven Manifesto on the Corporate Media
By doomsdayer520
This is the newly updated version of Bagdikian's classic tome *The Media Monopoly* which first appeared in 1983 and was prescient enough to reach six editions by 2000. While dismissed as alarmism, with each edition of the book the problem of corporate media consolidation became worse, and now we are down to just five mega-conglomerates controlling almost all media content, and subsequently most political and social thought among the American public. Bagdikian is an expert commentator on the effects this has on popular democracy and social justice, and the problem has become so bad that it became necessary to create a completely revised text, rather than just a "new" edition of the old book with some tacked-on updates.
This powerful manifesto by Bagdikian sometimes suffers from a lack of focus. One frequent weakness is his tendency to opinionate on the social issues he uses as examples of poor mainstream media coverage. Examples include homelessness and smoking, in which Bagdikian forgets his analysis of media control issues and embarks on long expostulations of his own personal politics. A more general issue is his tendency to drift into political science as applied to modern corporate conservatism and crony capitalism. These are subjects in which Bagdikian is certainly proficient, and they are the root causes of the horrific state of American media. However, Bagdikian frequently drifts from useful media analysis to occasionally cranky political tirades that detract from the focus and power of the book's main points.
And even though this is a completely new edition, much of the text has still been copied verbatim from the old versions of the original book, leading to odd appearances of stories and examples from the 1960s and 70s, some of which have little modern relevance. The new chapter on the internet gives the impression that Bagdikian is barely familiar with that realm, as he gives remedial introductions to concepts that most of us are long familiar with. Other writers and analysts have now taken the issue of corporate media control and produced outstanding treatises that surpass Bagdikian's groundbreaking work (I especially recommend Robert W. McChesney). However, Bagdikian is still the originator and when he's focused, his insights into the social and political damage wrought by our corporate media are still powerful and prescient. [~doomsdayer520~]

14 of 15 people found the following review helpful.
The production of "public opinion" in the 21st century
By Guy Denutte
Whoever wondered, like me, what happened to quality journalism, should read this book. After Reagan won the presidential election in 1980, conservatives began attacking the Fairness Doctrine. "The Fairness Doctrine required stations to devote a reasonable time to discussions of serious public issues and allowed equal time for opposing views to be heard." That seems like a pretty good definition of quality journalism to me. How can you ever imagine editors to defend a view contrary to their own professionalism? This is only possible in a world where media conglomerates grew so big that they don't like other big corporations being attacked. The author says : "Before newspapers and their conglomerates began buying broadcast stations, in 1969 when the Supreme Court ruled that the Fairness Doctrine was constitutional, the majority of newspapers editorialized in favour of the Fairness Doctrine. But by 1984, when newspapers had become part of the growing conglomerates that owned both newspapers and broadcast stations, those newspapers had reversed their positions and editorialized against the Fairness Doctrine. At least 84 percent of newspapers editorials then argued that the Fairness Doctrine should no longer be required."

When I was a small boy, I was still taught at school that the press is a warrant for our democracy. I suppose they don't teach that anymore. The free press doesn't exist any longer. The media are now part of the establishment. Five media conglomerates own the most newspapers, magazines, publishers, movie studio's and radio- and television channels, and the author calls those by their names : "These five conglomerates are Time Warner, by 2003 the largest media firm in the world; The Walt Disney Company; Murdoch's News Corporation, based in Australia; Viacom; and Bertelsmann, based in Germany. Today, none of the dominant media companies bother with dominance merely in a single medium. Their strategy has been to have major holdings in all the media, from newspapers to movie studios. This gives each of the five corporations and their leaders more communications power than was exercised by any despot or dictatorship in history".

Welcome to the "democracy" of the 21st century. Whoever is interested in a historical perspective of the brainwashing of the American people that started in the 20th century should also read Alex Carey Taking the Risk Out of Democracy: Corporate Propaganda versus Freedom and Liberty (History of Communication).

10 of 11 people found the following review helpful.
Excellent and Informative
By Brian J. Smith
With "The New Media Monopoly", Ben Bagdikian delivers one of the best books on the modern state of the media ever written. He describes in fascinating detail the events that have surrounded the growth in the concentration of media ownership. Unlike some other texts covering the same topic, Bagdikian's writing is very readable and captivating. However, he does seem to provide more anecdotal evidence to support his observations than hard numbers. I would highly recommend accompanying this book with Robert McChesney's "The Global Media", which covers basically the same trends, but provides more hard data. McChesney also focuses more on the larger business dealings of media corporations that have lead to their consolidation rather than Bagdikian's typically smaller examples.

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[E755.Ebook] Free Ebook Crimes de L Amour (Folio (Gallimard)) (English and French Edition), by Donatien A Sade, Marquis de Sade, Marquis de Sade

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Donatien Alphonse Fran�ois, Marquis de Sade (2 June 1740 – 2 December 1814) (French pronunciation: [maʁki də sad] Audio) was a French aristocrat, revolutionary, politician and writer famous for his libertine sexuality and lifestyle. His works include novels, short stories, plays, dialogues, and political tracts; in his lifetime some were published under his own name, while others appeared anonymously and Sade denied being their author. He is best known for his erotic works, which combined philosophical discourse with pornography, depicting bizarre sexual fantasies with an emphasis on violence, criminality, and blasphemy against the Catholic Church. He was a proponent of extreme freedom, unrestrained by morality, religion or law.

• Sales Rank: #6492674 in Books
• Brand: Brand: Gallimard Education
• Published on: 1987-03-01
• Original language: English
• Number of items: 1
• Dimensions: .79" h x 4.25" w x 7.01" l, .0 pounds
• Binding: Mass Market Paperback
• 434 pages

Features

• Used Book in Good Condition

Language Notes
Text: French

About the Author

The Marquis de Sade was a French aristocrat, revolutionary and writer of violent pornography. Incarcerated for 32 years of his life (in prisons and asylums), the majority of his output was written from behind bars. Famed for his graphic depiction of cruelty within classic titles such as Crimes of Love and One Hundred Days of Sodom, de Sade's name was adopted as a clinical term for the sexual fetish known as Sadism .

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[D347.Ebook] Fee Download Theology: How a Boy Wonder Led the Red Sox to the Promised Land, by John Frascella

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Theology pieces together clues to one of baseball’s great unsolved mysteries: Boston Red Sox General Manager Theo Epstein.

In 2005, at the age of 32, and just a year after leading the Red Sox to their first World Series title in 86 years, Epstein walked away from the position he had coveted his entire life. The decision stunned Red Sox Nation and surprised fans, players, coaches, and other GMs across the country. Author John Frascella reveals the conflict behind Epstein’s sudden resignation as well as the circumstances leading to his return in 2006. He also explores Epstein’s rapid rise to the top, his managerial skills (which some question despite his obvious success), and his cutting-edge methods for evaluating players and running a professional baseball franchise. Theology gives Red Sox fans a unique perspective from which to relive their recent and current World Series victories while offering all baseball lovers an insightful account into one of the game’s most fascinating figures.

• Sales Rank: #562634 in Books
• Published on: 2009-03-25
• Original language: English
• Number of items: 1
• Dimensions: .70" h x 5.40" w x 8.30" l, .55 pounds
• Binding: Paperback
• 208 pages

Review

“In a decision that was to stun the faithful fans of the Boston Red Sox baseball team, Theo Epstein, their young and dynamic general manager at the age of 32 resigned from the team just a year after leading them to their first World Series title in 86 years. In THEO-LOGY sportswriter and baseball fan John Frascella provides a fascinating account of a remarkable man and his equally remarkable decision. Of special note is the chapter focused upon Epstein’s best and worst management decisions that allows the reader to evaluate and make their own judgments. Replete with entertaining anecdotes, insights, and more than a few ‘behind the scenes’ secrets, THEO-LOGY is a riveting read and recommended for all baseball enthusiasts in general, and Boston Red Sox fans in particular!”

– James A. Cox, Editor-in-Chief, Midwest Book Review

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3 of 4 people found the following review helpful.
Very good book!
By S. Ryan
This is a very well written book. The subject is in his early 30s, so there isn't a whole lot of lifetime to cover. Being a large baseball fan, I enjoyed the coverage of his rise to GM of one of the most popular teams in the Majors and his tactics for unprecedented success. The author's writing style is easy to follow and very clear and concise. I read the book in less than a day because I could not put it down. If you love baseball and the behind-the-scenes workings, then you must read this book.

1 of 2 people found the following review helpful.
This is a very poorly-written book
By scott928s
This book reminds me of an article one reads in Highlights for Kids in the fourth grade. There is no new information in it-- just a compilation of information culled from newspaper articles and mlb.com. I feel embarrassed to have purchased it.

16 of 21 people found the following review helpful.
Regurgitation of information found elsewhere
By soxfan87
After reading an article about the writing of this book in the UConn daily newspaper, I was hesitant to buy it. Being a Red Sox fan, I did so anyway. Unfortunately, after reading it, I feel that my initial reaction was correct.

The positive: it was an easy, quick read. And it only cost $10. There were a few bits of new information in there that were interesting; Frascella seems to have gotten at least a few people to talk to him.

The negative: According to the UConn article and Frascella himself, this book was written over the vehement opposition of Theo Epstein, who did not cooperate with the project. Unfortunately, in his indefatigable efforts to violate Mr. Epstein's privacy, Frascella has accomplished little of note and could have left well enough alone. Most of the information in this book is a compilation of quotes and tidbits that most Sox fans will recognize from feature pieces done on Theo over the years by the Globe, the Yale Daily News, and other news outlets. You can read it all yourself for free by simply typing "Theo Epstein" into Google.

The book is written in a style that is easy enough to follow but is unsophisticated and often grating. For example, Frascella describes John Henry's business by quoting straight off the company website with no other information, leaving the reader with the impression that he did not actually do any in-depth research and has no real understanding of what Mr. Henry's company does. This repeats itself several times throughout. Quotes from Theo are twisted and placed to seem like Theo said this to Frascella when in fact it is something from a newspaper story, but there are no footnotes. It is woefully apparent that Frascella is short of primary sources. He seems to have gotten former Sox assistant Bill Lajoie to open up, along with Craig Shipley, and relies heavily on them for baseball operations information throughout; the slant shows. In one section, Frascella implies dubiously that during the 2005 offseason, Shipley and Lajoie did the vast majority of the work while Ben Cherington and Jed Hoyer took all the credit, and that Shipley and Lajoie were shafted by John Henry. This would be interesting, except that Frascella leaves us with nothing except Shipley and Lajoie's perspective. He includes nothing from Henry, Cherington, or Hoyer, and the reader has no idea what their interpretation of this actually is; I can only assume that they refused to talk to him because they are reportedly much closer to Theo and did not wish to violate his confidence. The section left me feeling that Hoyer and Cherington had been unfairly maligned. This is really too bad, as it was one of the few parts with original information.

Further tainting this book is the intermittently terrible baseball analysis contained within. Some of it is solid, but some of it is simply flat-out wrong. Anyone with an affinity for sabermetrics should probably avoid these parts.

In conclusion, I think the idea of this project is an excellent one; the problem lies in the execution. It is not possible to write a truly good biography of someone without that person's cooperation and with those who will talk to you doing so in violation of his confidence. It is also quite difficult to write an appropriate perspective when your subject is only 35 years old and still in the middle of his career. This should be redone in about 40 years with a mature writer (perhaps Frascella himself with more polish; the talent is there) who can get Mr. Epstein to cooperate with the project. Until then, it is going to be sorely lacking.

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