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Acting for Animators, by Ed Hooks
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Ed Hooks' indispensable acting guidebook for animators has been fully updated and improved!
Hooks uses basic acting theory to explain everything from character movement and facial expressions to interaction and scene construction. Just as acting on film and on stage are very different disciplines, so is the use of acting theory in creating an animated character, scene or story. Acting for Animators is full of essential craft tips from an acting master.
New to this Routledge edition:
- scene-by-scene analyses of six films, including Up, Coraline and Kung Fu Panda
- an expanded chapter on video game animation
- all-new illustrations
- a 500 word history of acting
- Sales Rank: #255238 in Books
- Published on: 2011-09-21
- Released on: 2011-08-09
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .44" w x 6.14" l, .70 pounds
- Binding: Paperback
- 192 pages
Most helpful customer reviews
14 of 17 people found the following review helpful.
Groundbreaking, "must have" book for animators;
By Anne-Elizabeth
Mr. Hooks has succeeded in condensing years of experience teaching his internationally recognized Master Class "Acting for Animators" into a manageably sized and reasonably priced book & CD combination. This is an expanded 2nd Edition of a title first published in 2000 and now in use around the world, as a source manual and text book, by industry leading professional animators as well as animation students in the most highly regarded animation schools.
Traditional 2D, contemporary 3D, and experimental animators devoted to "telling a story" with their characters will relish the wealth of straightforward insight presented on topics critical to character design and animations development such as movement and body language, power centers, using psychological gestures, scene development, knowing the audience, and much more.
Dispersed throughout "Acting for Animators"- entertainingly illustrating the principals discussed in each chapter- are delightful little line drawn characters from the pen of renowned animator and director Paul Naas. And, not only does this unique and timely book contain a remarkable "Acting Analysis" of the groundbreaking and sure to be classic feature length animation "Iron Giant," it opens with a glowing forward by the film's Director, Brad Bird.
Ed Hooks is the original and still leading "Acting for Animators" teacher called upon by animation studios and schools in the United States and overseas. The contents of this book parallel his teaching perfectly.
Speaking as an animator in training and a Producer in action- who has had the good fortune to participate in Ed Hooks' recent Master Class in Denver after first meeting him as an acting student in California at the beginning of his now 20 year career as a highly regarded stage, tv & film acting coach- I say this is a "must have" for any animator who wants their work to stand out from the pack and grab the audience by the funny bone and/or the heart!
Consult "Acting for Animators" right along with Richard Williams' "The Animator's Survival Kit" and your animations will rock!
Anne-Elizabeth
Denver, Colorado
inside@centralvectors.com
2 of 2 people found the following review helpful.
Must have for any character animator!
By Hadleym
Extremely helpful and easy to read, this is a must have for anyone interested in/or in the field of character animation. Be it for entertainment/film, gaming or advertising, this book is helpful for all. It includes scene by scene breakdowns of some great animated films and tells you what you should aim for, what works. It is a great product and I guarantee you'll love it.
3 of 4 people found the following review helpful.
A joy
By Robert Dowling
I wish I read this book years ago. I've been animating professionaly for years, but there's information in this book that has given me a different mind set into accomplishing what I need to create.
I've always been able to 'see' faults in my work and fix it without knowing consiously how I made the error in the first place. Now, after reading this book I take a new vantage point and can prevent any errors occuring (usually). I think my style of animation has changed a little too.
The book is fun to read and the chapters are straight to the point. Recommended to every animator.
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